Movie Review:

NEW BLONDE BOND,
SAME GOOD OLD ACTION

Americans for years have had a fascination for the British secret agent who, before his successful films, was just another character in a series of novels by Former British WWII Agent Ian Fleming. Sean Connery (The Untouchables) of course became the first to have the chance to showcase stylish action skills and impeccable cunning as Ian Fleming’s famous 007. Connery was followed by Roger Moore (007 For Your Eyes Only) and others; the latest two being the charming Pierce Brosnan (007 Goldeneye), and the blonde pretty boy Daniel Craig. When Craig was introduced as the new Bond in 007 Casino Royale, Americans all asked the same questions: “Who the heck is this guy?” and “Why is he blonde?” Well, those who are actively into movies would know Craig’s noteworthy role in Spielberg’s Munich. As for the blonde part, American filmmakers have always had a preference of blondes over brunettes. Am I right? Out of the other potential nominees, which included British powerhouses such as Hugh Grant, Clive Owen, and Orlando Bloom, Craig was the only one who not only looked the part, but acted better than any Bond that America had seen since Sir Sean Connery.

Fleming’s 007 Casino Royale starts at the beginning of Bonds career when he has yet to achieve his double-0 status. Packed with lengthy chase scenes, action packed encounters with epic villains such as Le Chiffre (Mads Mikkelsen), and beautiful damsels in distress, make Bonds newest flick the best yet. Judy Dench’s (Shakespeare in Love) performance as “M” deserved an Oscar nomination of its own, and Craig’s performance as the 007 (which was nominated for a BAFTA Award) was so believable, that he could make Bond more popular than he already is (if that’s even possible). So it just goes to show; no matter what color your hair is, its your acting that makes your character worth watching.
7.5 out of 10

By Soham

Movie Review - Little Miss Sunshine

The typical American Family Comedy. We have seen it. A father who strives for his children to make him proud, a mother with depression and anxiety from god-knows what, a suicidal uncle ready to end his time on earth, a drug addicted grandfather who feels no shame in destroying his lungs, a nihilistic teenager who refuses to converse with his family because they are so “uncool”, and an adorable little girl who is more concentrated on her looks than anything else. Have we seen this before? Probably. The lack of unoriginality in such movies like “RV” makes the family comedy genre an Oscar- repellant.

But Little Miss Sunshine changed all that stereotyping once it came into theatres. We have all seen American families have major breakdowns on the silver screen before, but not as entertaining as this. Little Miss Sunshine, with it’s quirky, and out-of-the-box humor, keeps a smirk on its audiences’ faces from start to finish. The fabulous direction by husband-wife duo Jonathan Dayton, and Valerie Farris, and a superb debut screenplay by Michael Ardnt, make this family comedy a complete rival to the ordinary.

With 2 Golden Globe Nominations and popular bids for Oscars, Little Miss Sunshine is truly the surprise comedy of the year. An artsy look at a typical American family that delivers to America, one extremely important moral: No matter how different or weird the members of you family are, they are still your family and that’s all that matters.
By Soham